Jessika Kenney

Saturday, Sept 7th, 2019
2:00 PM
Blank Forms at James Cohan Gallery
48 Walker Street, New York, NY 10013
Free with RSVP

Jessika Kenney is a vocalist, composer, and teacher whose work extends the vocal traditions of Indonesian sindhenan and Persian radif into new realms by way of contemporary composition and improvisation. Internationally regarded for the elegiac timbral quality of her voice, her practice of sphygmoresonance, or resonance of pulse, entails ritualistic focus and reverence for inner architecture that emanates a palpable sense of stillness. Kenney’s interest in the full spectrum experience of sound has led to collaboration with a wide range of experimentalists, while her partnership with composer/violist Eyvind Kang has yielded five spellbinding albums of minimal, delicate beauty. A student of radif with Ostad Hossein Omoumi, Kenney’s music is timeless, yet steeped in textual research, respectful of its spiritual roots while invoking unknown futures.

                                                 

Blank Forms has curated a program of music and poetry as part of Josiah McElheny’s new solo show, Observations at Night. McElheny’s sonic sculpture, “Moon Mirror,” will function as both an acoustic reflector and an open stage-like platform for performances, as part of an exhibition of optically dynamic paintings and sculptures inspired by cosmic revolutionary figures like Joe McPhee and Sun Ra Arkestra singer June Tyson. Tyson’s optimistic communication of the potential for world-building beyond the painful alienation of presiding earthly visions serves as the focal point for the series’ interrogation of how music and poetry might illuminate new pathways of resistance to our troubled political climate. An international assembly of artists from a diverse spectrum of creative improvising idioms have been selected to use McElheny’s parabolic structure as a catalyst for explorations of both acoustic feedback and social interaction between performers and audiences from heterogeneous cultural spheres. Featuring performers pulling inspiration from black American free jazz as well as experimental music, deep listening, and folk traditions of Korean, Japanese, Iraqi, Indonesian, and Persian music, the surreal convergence of mysteries of light and sound proposes that we might today not only pass through what can feel like a dream or nightmare state but find something here, visible or audible in the twilight that can lead into a cosmic future.